The Disaster Artist: My Life Inside The Room, the Greatest Bad Movie Ever Made by Greg Sestero, Tom Bissell
The Disaster Artist – From the actor who lived through it all and an award-winning narrative nonfiction writer: the inspiring and laugh-out-loud funny story of a mysteriously wealthy social misfit who got past every road block in the Hollywood system to achieve success on his own terms—the making of The Room, “the Citizen Kane of bad movies” (Entertainment Weekly).
The hilarious and inspiring story of how a mysterious misfit got past every roadblock in the Hollywood system to achieve success on his own terms: a $6 million cinematic catastrophe called The Room.
Nineteen-year-old Greg Sestero met Tommy Wiseau at an acting school in San Francisco. Wiseau’s scenes were rivetingly wrong, yet Sestero, hypnotized by such uninhibited acting, thought, “I have to do a scene with this guy.” That impulse changed both of their lives. Wiseau seemed never to have read the rule book on interpersonal relationships (or the instructions on a bottle of black hair dye), yet he generously offered to put the aspiring actor up in his LA apartment. Sestero’s nascent acting career first sizzled, then fizzled, resulting in Wiseau’s last-second offer to Sestero of costarring with him in The Room, a movie Wiseau wrote and planned to finance, produce, and direct—in the parking lot of a Hollywood equipment-rental shop.
Wiseau spent $6 million of his own money on his film, but despite the efforts of the disbelieving (and frequently fired) crew and embarrassed (and frequently fired) actors, the movie made no sense. Nevertheless Wiseau rented a Hollywood billboard featuring his alarming headshot and staged a red carpet premiere. The Room made $1800 at the box office and closed after two weeks. One reviewer said that watching The Room was like “getting stabbed in the head.”
The Disaster Artist is Greg Sestero’s laugh-out-loud funny account of how Tommy Wiseau defied every law of artistry, business, and friendship to make “the Citizen Kane of bad movies” (Entertainment Weekly), which is now an international phenomenon, with Wiseau himself beloved as an oddball celebrity. Written with award-winning journalist Tom Bissell, The Disaster Artist is an inspiring tour de force that reads like a page-turning novel, an open-hearted portrait of an enigmatic man who will improbably capture your heart.Used Book in Good Condition
The Disaster Artist – Editorial Reviews
*Starred Review* Reading this downright thrilling book is a lot like watching Tim Burton’s Ed Wood: it’s sometimes infuriating, often excruciating, usually very funny, and occasionally horribly uncomfortable, but it’s also impossible to look away from. The Room, a 2003 film written, directed, and starring the inscrutable Tommy Wiseau, was massively and enthusiastically lambasted by critics, proclaimed by some as the worst movie ever made (an insult, some movie fans might say, to Ed Wood’s Plan 9 from Outer Space). Sestero, who starred in The Room, teams up with magazine journalist Bissell (who previously wrote about the movie in Harper’s) to walk us through the unpredictable, confusing, and—it must be admitted—wildly incompetent production of Wiseau’s vanity project. This is a making-of book like no other, the day-to-day story about the filming of a movie that everyone involved with it, except its creator, knew was awful. But it’s also the story of a very interesting friendship between Sestero and Wiseau (who knew each other for several years before The Room), and the story of an enigmatic and incredibly self-absorbed man who, in making his film, seemed to be trying to exorcise a troubled past and build an entirely new version of himself. Wiseau, for all his eccentricities, comes off as a sympathetic fellow, someone we, like Sestero, can’t help rooting for. The Room has become a cult fave, and this book goes a long way toward explaining how and why. –David Pitt
The Disaster Artist is co-written (or probably, judging by its wit and literacy, written) by journalist Tom Bissell, and with its allusions to Ripley and Sunset Boulevard, it understands the story it wants to tell. Tommy is a middle-aged man of some means and cloudy provenance, desperately lonely, waiting for the world to take notice. Greg is the beautiful young man who notices. —Louis Bayard
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